A LOT of people contact me about film financing, wondering if I can hook them up with some money people, or provide them with a list of film investors. I figured it was time to have a discussion about investors and investment.
In the first three episodes in this series I talked about the kinds of paralysis that filmmakers faced - and some solutions to those forms of paralysis: specifically financial and organizational paralysis. In this webisode, I focus on creative paralysis. How do you get a great story? How do you turn it into a great script? What do you think?
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