My first short film, we rented a lighting kit “out of the back of a truck” – literally. A very, very sketchy dude named Scott and his rude girlfriend came by with a van load. He showed up 12 hours late (yes, 12) and almost pooched the shoot. At the end he showed up late to pick up his gear and tried to squeeze more money out of us. His gear was beat up and included (if I remember correctly) maybe 5 or 6 lights of various sorts. We had to build our own softboxes. We paid him $500 for the weekend.
Maybe I’m just a shop-a-holic and haven’t quite come to accept and admit it. But I think that – besides the advances in camera gear and the potential for internet distribution and marketing – e-commerce and e-shopping are disruptive elements in microbudget indie filmmaking.
I've shot two microbudget feature films plus a few no budget short films as well. Based on this experience I’ve decided that the one constant you can count on when shooting a microbudget film is endless surprises and endless improvisation. Let’s list some of them from the first week of shooting Fucking My Way Back Home (FMWBH) in 2015.
Click on the image